See also Richard Boyle's "Serendipity: How the Vogue word became Vague" The term serendipity is solidly entrenched in English usage, including book titles above. Poster for a play above and even household items below leverage the term serendiptiy. On the morning of January 28,an exceptional Englishman sat down at his desk in the library of his gothic mansion, Strawberry Hill, to attend to his correspondence.
Rajastan, Mewar, Malva, Bundi, Kishangar painters, and more. Song Dynasty Fan Kuan c. Famous for austere and grand landscapes. Together with Li Cheng, he developed the so-called monumental style of landscape. He was known for his 'raindrop' surface modelling strokes cun.
He chose to live in a barren, mountainous area in Taihua in the Zhongnan mountains. Yan Wengui Born Wuxing, Zhejiang province. Essay of sigiriya painter under the third Song emperor. His style was as monumental as that of his contemporary Fan Kuan, with a show of profusion and turbulence in his paintings.
Like Guo Xi, he was a follower of Li Cheng and regarded very highly by his contemporaries. His Fishing in a Mountain Stream, Nelson-Atkins Museum, Kansas City, is a majestic handscroll with fishermen and travellers, a roadside inn and secluded pavilions, all dwarfed by an outlandish series of precipirous cliffs and stark mountain ranges.
According to his contemporaries, he was a skilful landscape painter in the Imperial Academy. He was also the author of an essay entitled 'Lofty Message of Forests and Streams', an exceedingly valuable source of information on Song attitudes to landscape and techniques of composition and brushwork.
He painted landscapes after the style of Li Cheng, using texture strokes and ink wash to create the illusion of space and distance, with more complex compositions than those of earlier painters such as Fan Kuan. Mountains were the dominant elements of his compositions, changing in appearance according to the seasons; his paintings display atmospheric effects which would be further developed by the Southern Song painters.
Su Shi Famous statesman, poet, calligrapher, art critic and painter of bamboo, also known as Su Dongpo. With those in his circle, such as the bamboo painter Wen Tong and the calligrapher Huang Tingjian, he established the concept of wenrenhua, that is, painting by literati, arguing that painting could share the values and status of poetry.
In his view, 'natural genius and originality' were more important than form-likeness in painting.
He held official posts but was also banished several times during his career. None of his paintings survive, but Dry Tree, Bamboo and Stone, Shanghai Museum, is attributed to him and provides clues to his subject matter and manner. Many examples of his calligraphy are still extant.
Most famous figure painter of the Northern Song period. He painted in baimiao outline drawinga fine linear style derived from Gu Kaizhi, associated with historical themes and Buddhist divinities, and also in the Wu Daozi tradition with short and lively, fluctuating brushwork.
He was also appreciated as a painter of horses and landscapes. Thus, Li was the firstr artist to transmit the styles of several past masters rather than that of just one, establishing classic standards in each genre. Five Tribute Horses and Grooms present whereabouts unknown was the finest example of his work; Metamorphoses of Heavenly Beings, British Museum, is a close copy of his style, perhaps early Ming in date.
As a transitional painter, his landscapes include subjects on a smaller scale than those of the great Northern Song masters, and his techniques innovate the axe-cut stroke produced with a slanting brush.
Mi Fu Born Hubei province. An intellectual as well as a painter and calligrapher, and also known for his critical connoisseurship of paintings and calligraphy. He was the author of Huashi The History of Painting.
He painted foliage with large, wet dots and rocks with soft modelling. His paintings are more intimate than those of most of his Northern Song contemporaries, being on a small scale, with a simplicity of design and a new realism.
Huizong Effectively the last Northern Song emperor ruled before both he and his successor were captured and exiled. He was an aesthete and eminent calligrapher and painter, specialising in birds and floral still life painting.
He surrounded himself with the court artists of the Academy of painting and took an active part in supervising them, neglecting state affairs.
Paintings include Ladies Preparing Newly Woven Silk, Museum of Fine Arts, Boston copied from the Tang dynasty artist Zhang Xuan ; Listening to the Qin, Gugong, Beijing; Gardenia and Lichi with Birds, British Museum a handscroll, attributed to him but probably by a court artist, showing the colourful and close description of nature so valued at his court, and signed with the imperial cipher.
Ma Hezhi flourished c. Official at the court of the Southern Song Emperor Gaozong, who commissioned him to illustrate the Confucian classic Shijing Book of Songs as patt of a series of paintings with themes proving the legitimacy of his rule, in the face of the occupation of north China by the Jin.
Illustrations to the Odes of Chen British Museum is one of the finest surviving examples of this series with ten scenes accompanied by the appropriate odes in the calligraphy of Emperor Gaozong.
Two of the odes from this scroll were reproduced by Dong Qichang as models of Gaozong's writing; on some of the series the calligraphy was actually written by a court calligrapher though attributed to the emperor himself. Ma used the so-called 'orchid leaf' and 'grasshopper-waist' style of fluctuating brushwork to depict the reverence necessary for such a canonised work of literature, transforming the fluctuating drapery lines of the Tang painter Wu Daozi.Wir sind seit über 25 Jahren Spezialist für Reisen nach Asien.
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By Rajan Hoole, . Scholars disagree about the date of the Ajanta Caves' second period. For a time it was thought that the work was done over a long period from the fourth to the 7th century AD, but recently long-time researcher Walter M.
Spink declared that most of the work took place over short time period, from to CE, during the reign of Emperor Harishena of the Vakataka dynasty. Buddhist art is the artistic practices that are influenced by barnweddingvt.com includes art media which depict Buddhas, bodhisattvas, and other entities; notable Buddhist figures, both historical and mythical; narrative scenes from the lives of all of these; mandalas and other graphic aids to practice; as well as physical objects associated with Buddhist practice, such as vajras, bells, stupas and.
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